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Interpubliq is an independent photography magazine devoted to contemporary photography and visual culture through criticism, interviews, photo essays, and print and digital publications.

Criticism

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Topics

Film | Analog

Work shaped by the material language of film, darkroom process, and analog practice. This section brings together photographers whose images carry the texture, discipline, and sensibility of slower, process-driven image-making.

Black and White

Work in monochrome, where light, shadow, tone, and structure take on heightened presence. This section focuses on photography that uses black and white not as a stylistic afterthought, but as a deliberate visual language.

Street

Photography drawn from public space, gesture, chance, and the rhythms of everyday life. This section highlights work that finds meaning in fleeting encounters, urban environments, and the tension between spontaneity and composition.

Portraiture

Photography centered on presence, identity, and the relationship between photographer and subject. This section includes portraits that are intimate, psychological, formal, or documentary in nature, but always attentive to the human face and figure as sites of meaning.

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Documentary

Photography rooted in observation, lived experience, and the complexity of the real world. This section brings together work that engages with people, place, memory, community, and social reality through sustained attention and visual depth.

Photojournalism

Work shaped by reportage, urgency, and the act of bearing witness. This section focuses on photography that responds to events, public life, and human experience with clarity, context, and journalistic intent.

FineArt

Photography driven by formal intention, conceptual clarity, and an authorial visual language. This section includes work that moves beyond straightforward representation and engages with photography as an artistic, interpretive, and constructed form.

Experimental

Photography that pushes against convention through process, form, abstraction, manipulation, or visual invention. This section highlights work that expands the language of photography and embraces risk, ambiguity, and experimentation.

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Shot By Magdalena

June 19, 2024
Magdalena’s work moves between fine art photography, activism, publishing, and community-building, making her practice as much about cultural intervention as image-making. Based
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Inglewood Photo Festival 2025 artist panel 1

April 11, 2026
The first artist panel from Inglewood Photo Festival 2025 brings together two important photographic voices, John Simmons, ASC and Frank Jackson, in a conversation hosted by Ibarionex Perello of The Candid Frame. In this panel, they reflect on their creative journeys, the power of
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