Interpubliq is an independent photography magazine devoted to contemporary photography and visual culture through criticism, interviews, photo essays, and print and digital publications.
Kate Jasianowska continues to expand a street photography practice rooted in observation, everyday life, and public space. Interpubliq looks at how her work has developed through exhibitions, curation, photography communities, and a
Maguelone Bernard works across self-portraiture and nude photography, using black-and-white film to create images that feel intimate, tactile, and emotionally restrained. Her
Angelina Hernandez, a photographer, writer, and psychotherapist, draws her deep-rooted connection to photography from her childhood experiences of transience and curiosity. Introduced
Work shaped by the material language of film, darkroom process, and analog practice. This section brings together photographers whose images carry the texture, discipline, and sensibility of slower, process-driven image-making.
Work in monochrome, where light, shadow, tone, and structure take on heightened presence. This section focuses on photography that uses black and white not as a stylistic afterthought, but as a deliberate visual language.
Photography drawn from public space, gesture, chance, and the rhythms of everyday life. This section highlights work that finds meaning in fleeting encounters, urban environments, and the tension between spontaneity and composition.
Photography centered on presence, identity, and the relationship between photographer and subject. This section includes portraits that are intimate, psychological, formal, or documentary in nature, but always attentive to the human face and figure as sites of meaning.
Photography rooted in observation, lived experience, and the complexity of the real world. This section brings together work that engages with people, place, memory, community, and social reality through sustained attention and visual depth.
Work shaped by reportage, urgency, and the act of bearing witness. This section focuses on photography that responds to events, public life, and human experience with clarity, context, and journalistic intent.
Photography driven by formal intention, conceptual clarity, and an authorial visual language. This section includes work that moves beyond straightforward representation and engages with photography as an artistic, interpretive, and constructed form.
Photography that pushes against convention through process, form, abstraction, manipulation, or visual invention. This section highlights work that expands the language of photography and embraces risk, ambiguity, and experimentation.
Justyna Neryng is a Polish-born photographic artist whose work moves between portraiture, self-portraiture, and the nude, building images that feel intimate, timeless,
Based in Kaohsiung, Taiwan, this photographer approaches the street through patience, portability, and a precise sensitivity to light and color. Influenced by
This photographer approaches image-making through light, symmetry, and feeling. Influenced by cinematic imagery, editorial references, and a deep sensitivity to color and
Disappearing villages photography asks more of the camera than atmosphere or nostalgia; it asks for patience, responsibility, and a truthful closeness to
Chris Bernard photographs cities the way some filmmakers build suspense: through silence, shadow, residue, and the feeling that something has just happened
Polish photographer Lokasz works at the intersection of analog process, feminine portraiture, and psychological presence. Specializing in portraits and nudes, her images
The first artist panel from Inglewood Photo Festival 2025 brings together two important photographic voices, John Simmons, ASC and Frank Jackson, in a conversation hosted by Ibarionex Perello of The Candid Frame. In this panel, they reflect on their creative journeys, the power of
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